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Daddy
Cool
Daddy Cool took Australia by storm in 1971,
totally out of character with everything that was happening in music
both in Australia and anywhere else in the world. Maybe they were
a product of the strange time in Australian music they found themselves
in. Maybe everything that happened to Daddy Cool would have happened
anyway.
Ross
Wilson had disbanded his promising and innovative Party Machine
group on a chance to join Procession in London and maybe make his
mark on the world stage. But by the time he arrived in London Procession
were in self-destruction mode. After enjoying the sights and sounds
of London Ross slowly made his way back to Australia by land via
Asia, carrying with him the riff and idea for a song that had come
to him in London.
He came back as Australian music was descending into chaos. A dispute
between the record companies and radio stations meant that between
May and November 1970 the major record companies withdrew their
records from the radio stations for airplay. Because of a quirk
of the copyright laws records originating in America couldn’t be
banned. But it meant that all the established Australian recording
acts were suddenly cut off from their fans. Many didn’t survive.
The only way to survive was by having something people wanted to
come and witness live. In that environment Ross Wilson formed Daddy
Cool.
He
didn’t mean Daddy Cool to become ‘his future’. When Ross Wilson
came back to Melbourne he had this idea of creating an adventurous
supergroup, made up of members of other bands. Obviously this group’s
performances were going to be rare, depending on whenever everyone
was available between duties with their regular bands. What Ross
needed was a secondary group, something to keep him in work between
performances by this other serious main band. That was the plan.
Coming back to Melbourne Ross found work in a storeroom until he
could get his music back in gear. Working alongside him was a drummer
also ‘between bands’. Ross Wilson knew a guitarist he’d played with
forever, Ross Hannaford. Gary Young knew a bass player he’d played
with forever, Wayne Duncan. The first day the four played together
they knew they had something. They decided to become Daddy Cool,
in between being the nucleus for Ross Wilson’s supergroup, The Sons
Of The Vegetal Mother. Daddy Cool played classic Fifties rock and
roll with a Seventies attitude. The Vegetal Mothers played original
material. Both groups played the song Ross Wilson had carried with
him from London, ‘Eagle Rock’.
No-one was ready for the impact Daddy Cool’s performances would
have. Dressed up like cartoon characters, and playing rock and roll
oldies as if they were brand new, Daddy Cool went from small packed-to-the-rafters
clubs to big concerts almost overnight. They were so much in demand
any thoughts of that other group had to be shelved. When Daddy Cool
released ‘Eagle Rock’ it became a national Number One single for
11 weeks, still the longest run of any Australian-made single. Their
album ‘Daddy Who? Daddy Cool’ became the first Australian album
to make Number One nationally. Fans danced in huge conga lines every
time they played. Even Elton John caught the bug when he came to
Australia, inspired to write ‘Crocodile Rock’. On the cover of Elton’s
‘Don’t Shoot Me’ album, Bernie Taupin is wearing a Daddy Cool badge.
Much as he loved performing and writing this happily innocent music,
the creative side of Ross Wilson wanted to experiment, and give
the band some scope beyond the oldies. He introduced new musicians
to the line-up and insisted on calling the second album ‘Sex Dope
And Rock And Roll:Teenage Heaven’. The title made the daily newspapers.
The innocence was gone.
Daddy Cool’s records were produced by Robbie Porter (formerly Rob
EG), based in America. Robbie was keen to see Daddy Cool conquer
America and a performance was lined up at the legendary Whisky Au
Go Go in Los Angeles. Daddy Cool was uncomfortable about the whole
thing. An Australian rock and roll band taking rock and roll back
to its birthplace? They didn’t dress up, and gave half the performance
they were capable of. They weren’t the overnight sensations they
might have been.
Daddy Cool toured America three times, coming back and forth to
Australia to satisfy their legion of fans at home. In America they
were developing pockets of interest. One of the members of ZZ Top
was surprised years later to find that one of his favourite hits
growing up was Australian (“Eagle Rock”). Despite the interest at
the time Ross Wilson was getting impatient creatively, and split
up the band in August 1972 to
form Mighty Kong, taking career right hand man Ross Hannaford with
him. Gary Young and Wayne Duncan formed rockabilly/country group
Hot Dog.
In January 1974 Daddy Cool agreed
to reform for that year’s Sunbury Pop Festival. Audience and band
enjoyed it so much Daddy Cool stayed together, adding an extra guitarist
in April, and was forced to replace bassist Wayne after a car accident.
But it only lasted a year and two singles. The ‘new’ Daddy Cool
could not get over the memories of the ‘old’ group and the arrival
of the new breed of music in the shape of Skyhooks and others. Ross
Wilson was also keen to sit out what was left of his Daddy Cool
recording contract.
For a while Ross concentrated on working with Skyhooks as their
producer and music publisher, and on developing his own record label,
Oz Records, which launched the next chapter of Ross Wilson’s music
career, Mondo Rock.
In 1994 Daddy Cool reformed again to record two songs for a combined
single with Skyhooks, feeling the waters for the possibility of
going out on tour together. When the single failed, the tour and
Daddy Cool were shelved.
In May 2001
when the Australasian Performing Rights Association celebrated its
75th anniversary by naming the Best Australian Songs of all time,
decided by a 100 strong industry panel, 'Eagle Rock' was named second
behind the Easybeats' 'Friday On My Mind'.
The group finally
performed in public again in late February 2005, for the first time
in 30 years, at a Tsunami victims benefit concert.
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