|
Tina Arena
Former child
star Tina Arena came back in her mid-twenties to become the biggest
selling female artist in Australian recording history, with success
also around the world.
It
all started with seven year old Filippina Arena falling in love
with her sister's record of Daryl Braithwaite's 'You're My World'.
She played it over and over, and chose that song to sing when as
a flower girl at a wedding she ended up on stage - her first public
performance. Pina (as she was known then) badgered her mother to
let her be a contestant on Australian television's 'Young Talent
Time'. When she won three of her four appearances the show's producers
asked her to become a regular, and she became Tina Arena. What separated
her from most of the other 'Young Talent Time' regulars was the
fact that she was the one that wanted to be there. The others had
stage parents scratching each other's eyes out in the dressing rooms.
Tina was eight.
For the next
seven years she was a TV star, known as the little girl with the
big voice. At fifteen she reached the program's obligatory retirement
age. It was very hard to be on TV every week for so long and then
suddenly be nobody. Most of the 'Young Talent Time' retirees became
typical child stars, on entertainment's scrap heap. Tina spent the
next six years "forgotten", singing everywhere and anywhere she
could, becoming a seasoned performer.
In
1989, aged 21, Tina Arena released
her first album, 'Strong As Steel', a record which cast her as a
dance diva, and saw her in raunchy videos showing off her cleavage
as if to prove she was a woman now. It gave her a big hit with the
single 'I Need Your Body' and the album sold in gold award quantities.
But Tina was not comfortable. This was not her. This was not what
she wanted to be for the rest of her life. Tina went into seclusion
while she decided what to do next, moving to Los Angeles to be a
nobody again. She took singing lessons and started writing songs.
She returned in 1992 and spent most of that year working with Australian
songwriters, accumulating more material. Ten months of 1993
were spent in the stage production of 'Joseph's Amazing Technicolour
Dreamcoat'. And then Tina Arena was ready to re-launch her recording
career.
Signing a new
recording contract with Sony the company tried to convince her to
change her name and put the past completely behind her. Although
that's what she wanted to do, Tina wanted to achieve that goal as
herself. It would have to be done as Tina Arena. Flying to Los Angeles
to record her next album Tina nearly broke down. This was an all-important
moment in her career. From the moment the first single, 'Chains'
was released, the clouds parted. 'Don't Ask' spawned five hit singles,
and sold eight times platinum in Australia alone, the biggest selling
album ever by a female recording artist. The album would also chart
around the world and ended up selling two million copies internationally.
1996 and early
1997 saw Tina back in L.A., working on the follow-up album. David
Tyson again produced four tracks, and Foreigner's Mick Jones took
charge of the rest. This time around the album was recorded predominantly
live in the studio in an attempt to bring the material closer to
Tina's stage performance persona. On the way she married her manager
Ralph Carr.
At home the
new album wasn't quite the success of the first, but then it's always
hard to repeat a phenomenon. 'In Deep' still gave Tina four hits
and sold more than 200,000 copies, triple platinum. More important,
the album consolidated Tina's place in the international market.
The song 'Aller Plus Haut', added to the European version, was the
biggest selling single in France for 1999.
In June 2000,
shrugging off a messy personal and business separation from her
husband, Tina was appearing in London's West End with the starring
role of Esmeralda, in the new musical 'Notre Dame de Paris.' In
November 2001 she released 'Just Me', recorded around the world
with a variety of producers, but after the album's commercial failure
Sony Records and Tina announced the end of their relationship in
May 2004 - after ten years, four studio albums and worldwide sales
of 3.5 million.
|