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Mondo Rock
Most famous
as lead singer with Daddy Cool, Ross Wilson's longest job in music
was in front of Mondo Rock.
After
just one album with the post-Daddy Cool group Mighty Kong, Ross
Wilson chose to sit out the record contract which originated from
the Daddy Cool period. Three years of silence on record during which
he concentrated on producing the records of others (Skyhooks, Johnnies)
came to an end with a solo single in August 1976, 'Living In The
Land Of Oz' on Ross' own label, Oz.
For live performances
Ross needed a group and, shy about leaping back into the commitment
and politics which came with a permanent group, Ross resolved that
each line-up would only be together for a given period, when he
would reassemble a new line-up for another set period of performances.
Whoever else comprised the group it performed under the banner Ross
Wilson's Mondo Rock ("World of Rock").
Under that
system four different line-ups saw Mondo Rock through the first
three years, from 'Living In The Land Of Oz' to 'Fugitive Kind',
and the first Mondo Rock album 'Primal Park'.
In February
1980 Ross assembled a new Mondo
Rock. Matchbox guitarist Eric McCusker had wanted to be considered
for some time, and was now given his chance. He came into the group
with a set of songs which changed everything. Suddenly the pressure
was off Ross' own songwriting. Between them McCusker and Wilson
now had a set of songs to do more with than just rattle around the
pub scene. Also, Ross's Oz Records was no more. The novelty of producing
other people's records had worn off. Ross felt it was time to throw
himself back into a full-fledged recording and performing career.
And now that Mondo Rock had at least two permanent members there
was no reason for not trying to make the rest of the positions in
the band permanent too.
The first release
under a new record contract with the Festival-distributed Avenue
Records was 'State Of The Heart', a McCusker ballad showing off
Wilson's near-falsetto. They followed that national top ten hit
with 'Cool World', and the title of the 'Chemistry' album.
On the strength
of that success Mondo Rock moved to a world-wide deal with Warners,
Atlantic in America. Against the group's wishes the American company
insisted on editing 'State Of The Heart' down from its four and
a half minutes and it failed to make an impression. At home the
group started its account with Warners with another hit, 'Summer
Of '81' from the 'Nuovo Mondo' album. There were periodical changes
in the line-up but Mondo Rock had established itself as one of the
most consistent, if unspectacular, bands on the Australian recording
and concert scenes. The fourth Mondo Rock album, 'The Modern Bop'
contained the band's biggest hit, the provocative 'Come Said The
Boy'. Again the international music world pricked up its ears in
interest, and again, for whatever reason, that interest didn't evolve
into success.
In 1985 Mondo
Rock signed a new recording contract with Polydor and launched that
relationship with a 'Best Of' album 'Up To The Moment' containing
two new singles. The all-new 'Boom Baby Boom' album, featuring another
slightly altered line-up, was modestly received at home in Australia
but one of its singles, 'Primitive Live Rites', achieved top ten
status in pockets of America. But it was a little too late. Mondo
Rock had run out of steam.
Ross Wilson
took time out to record the first solo album of his 24 year old
career with 1989's 'Dark Side Of The Man'. Then Ross and Eric McCusker
put together one more Mondo Rock album, with studio musicians and
no intention to tour. After the release of 'Why Fight It?' Mondo
Rock was officially folded, Ross Wilson to enter another period
of hibernation and recharging his creative batteries, Eric McCusker
to concentrate of the music industry's back room. Eric rejoined
Ross' solo backing band in 2001 and in November they reformed Mondo
Rock for the national 'Here And Now' tour with other nostalgia acts.
More recently
Mondo Rock took part in the 2006 Countdown Spectacular concerts
performing a medley of 'Cool World' and 'Summer Of '81', and a full
version of 'Come Said The Boy'.
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