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Interview With: James
Blundell
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James
Blundell talks about his new retrospective album, working
with Garth Porter to help create a new wave of country music,
songwriting, boarding school and the role of a rogue bull
in kick-starting his musical career. (Recorded September,
2001)
The interview
is in RealVideo format. You will need a 56K modem or better,
and a RealVideo player - click the icon below if you don't
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Below is an
excerpt from the interview.
EN: You
mentioned your father. There's a song called 'The Old Man's Gone'.
How hard was it to write that song?
JB:
That's actually a common misconception. That's about Dad's father
- my grandfather. I still recall I was finishing the lyrics off
in my head as I was driving towards Noosa in Queensland and I asked
myself "Do I let this stuff out or do I keep it to myself?".
I had literally made the decision not to let it out, not to write
it, but I played it to a couple of people and it just had to be
done because everybody I played it to related to it straight away.
Nearly everybody I played it to had lost some member of their family.
Coupled with that was the fact that the guy I had written about
represented the Second World War veteran mentality, and those really
tough people. He was still alive when I wrote it but it was obvious
that he wasn't going to be for much longer. I was in a catch-22
situation. I really loved him and wanted to tell him that but he
was the sort of guy that if I'd gone and said it to him face to
face he would have had a heart attack. So I ended up playing the
song to him and his response was perfect - "Biggest load of
shit I ever heard in my life" - and that was all he said about
it. I thought "now he hates it" and didn't know whether
to record it or not, but I did and it's been a song that's looked
after itself.
EN: When you
write a song like that, how important is it that it actually be
true? Do you start off with an inspiration and create a character?
JB: Very much
so. He was still alive when I finished that song, and pretty much
the way it was written was the way it went anyway. Right to the
end of his life he was railing against what he saw as the destruction
of society and the fact that things were being taken away from people.
By and large the person I wrote about was that character. Part of
it was art but part of it was the real thing. And it's been an issue
over the years. There have been several times that I've looked at
a song and wondered if I'm letting my life or someone else's life
out in public. But by the same token I then think of people like
Joni Mitchell or Van Morrison and the first hand nature of their
music and that is why I love it. I think if that person's prepared
to put that perspective out there why shouldn't I be?
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